“My kid could do that!”


Putting something that you’ve created out into the world can be quite nerve wracking at times. You’re opening yourself up to negative comments and criticism and  you wonder if those negative thoughts that often creep into your mind might be thought by other people.


Mine are:

“ You don’t know what you’re doing” “ You are not a serious artist”

“ You have no understanding of value or composition, and when a painting works out it’s just luck”

I’m quite comfortable sharing my work on Instagram now ,as I’ve found a community of supportive artists and art lovers on there. On facebook I worry that my posts are an annoyance to people, because my work will appear on the feeds of people that have no interest in art, and people who actively dislike it.

“My four year old could do better”

At the weekend  I noticed this comment on a post of my paintings on my local facebook page.

I was a bit taken aback and posted a screenshot to my Instagram stories to see if others had experienced similar.  I had other artists getting in touch saying they’d had comments like that from strangers. Some people had even overheard similar comments at art shows.

I wasn’t overly upset as it does seem a really obvious thing to say, but it did stop me from posting about an exhibition I was taking part in.

I’m interested in why abstract art sometimes provokes a strong reaction in  people so that they have to put it down. People don’t seem to react in the same way when they view other areas they have no interest in.



61B54104-BDC3-4F05-B53D-4B5314B80A5E.jpeg

My partner said that where he works they used an art rental service for the office  and at one point they had an original Gretchen Albrecht abstract hanging in their meeting room. He noticed the reactions of the other to men in the room, they were dismissive, and gave the usual “ what a load of rubbish” comments but he noticed they didn’t even want to look at it and would turn their backs. Is it a kind of fear? To not even look ? Imagine being left in a room with nothing but a big piece of art just for one minute, time to slow down and let your eyes wander.


I think I  can understand this feeling - of not wanting to open yourself up to something. I felt the same about  jazz. I had a boyfriend years ago who loved Jazz and I would go over and hear it and just have an immediate aversion to it and actually ask him to turn it off. It just sounded like a mess.  It hurt my ears. I wanted a melody and a verse and a chorus. I couldn’t stand it. I also felt like I was living in a corny film and didn’t want to be in , not with that soundtrack. He loved it so much and wanted me to just sit and listen to a whole record and give it a chance. He said I was like those people that say “ Oh I don’t understand abstract art” and I think I was but I wasn’t ready to try.


Another reason I think abstract art provokes these reactions  might be something to do with how abstract art is often presented in mainstream culture. In films or TV, it’s usually seen in this elitist world of snooty people living in a soulless modern apartment. It all costs millions of dollars and people talk about it using unintelligible language ( which is kind of true in the high art gallery world- but this is not the only art world. )



The cold, unhomely environment of abstract art we see in the mainstream media.

The cold, unhomely environment of abstract art we see in the mainstream media.

We went to the Auckland art fair a couple of weeks ago and I was really happy to see a huge abstract below. I enjoyed the look of the swooping brushstroke and the way the paint soaked into the canvas and seeing the little splashes. I felt a tingling and and excitement - it felt pleasurable to look at. For me, that’s enough. If I get a reaction that like that I feel alive. For me, I don’t need to have an extensive knowledge of art history to know if I like a piece of art like I know when I see a beautiful textile or pattern or react to a beautiful view.

Gretchen Albrecht painting at Auckland Art Fair

Gretchen Albrecht painting at Auckland Art Fair

I think everyone’s visual taste is unique and everyone can respond to abstract shapes and colours.   I love the big, confident brushstrokes of a Franz Kline but don’t like the smeary brushstrokes of Howard Hodgkin. I don’t like it when there are too many saturated colours, especially primary and secondary, I don’t like crimson and certain shades of green together.  I often don’t like my own work at certain stages and work so hard at it , trying to make it something more to my own taste.

=

As an abstract painter there are always going to be people who don’t like your  work, or don’t like abstract art in general. I’m not going to take such comments to heart , I need to remember -  they’re just not my people, the people I want to connect with. I’m not trying to convince the whole world to like my paintings, I just want people with a love of a certain style of painting  to be able to see them.




ART ON RECORD - Exhibition

I was happy to be asked to take part in this as part of New Zealand music month.

Each artist creates a 12” square artwork which is the imaginary cover for your favourite NZ album.

Actually, not growing up here, I tend to listen to British or North American music mainly but I knew as soon as I read the email that I’d choose

“ Future me hate me “ by The Beths ,as it was an album I’d recently fallen in love with



It came out in 2018 but it sounds like the kind of guitar pop I first started listening to in my late teens, so in some ways, it’s nothing new but it’s done so well. It’s catchy, energetic guitar pop, with  harmonies and great drumming, they get this kind of music just right.

I was driving home from work one day and  a song came on from this album and and transformed my mood completely. I got out of the car feeling positive and hopeful like there were a million possibilities  in front of me. I wanted to learn all the lyrics so I could keep singing along as it played in my head.

IMG_1144.jpeg


When it came to creating the 12 x 12 image I started to overthink it, and everything  came out too controlled and nothing looked right. I’m not a graphic designer, I don’t know what would work on a record cover.

I knew i wanted something playful and light, but with some darkness too, like the songs I thought.

In the end  I decided to paint as I played the album on repeat. I didn’t think too much and painted on about 4 paintings all at once because I was worried I’d mess  up. The one that stood out is the one that I painted on board. I’d forgotten how much I loved painting on board and plan to do more. So this experience has already been worth it as it’s lead to something else .

IMG_1173.jpeg

“ Future me hates me”

IMG_1182.jpg
FB2C93E2-3C60-4938-892C-BAF504FAC25F.jpeg
IMG_1183.jpg
591A9BC0-F920-42F1-81C5-C40B1E8CC902.jpeg

THE 100 DAYS PROJECT

This is a project started by Elle Luna on Instagram where people aim to do something for 100 days and post online. It could be anything - write a poem, a drawing, some lettering.

I  decided to complete a page in my sketchbook everyday. I wanted to have a moment of creativity everyday for 100 days and see the effect that has.

The plan was to select a maximum of three colours and to just play for 10, 15 minutes. I wanted to work out which colours worked well together. As well,  I hoped that by getting my brushes out, that 15 mins would turn into more painting time and lead to me working on other things.

IMG_9404.jpg
IMG_9407.jpg
IMG_9392.jpg
IMG_9390.jpg

Since starting this project, I’ve found that I’m thinking about what I want to do in my my sketchbook during the day, even if it’s just something as simple as “ the colour yellow” . It has kept me feeling focussed on my creative side , even on those days when the day is full of work and domestic tasks, I have that moment waiting for me.

I started off really well, going into the studio and setting out my paints, but then I had a few busy days - my child with a broken finger , then a cat with an injured leg , and I ended up leaving it until 11.30  at night, using my daughter’s crayons in the lounge. I didn’t stick to the maximum 3 colours rule I had imposed, but that’s ok, rules are meant to be broken sometimes. That was ok, at least I completed the page. Then, we had the Easter break and I actually forgot all about it for 4 days. So, I’m planning to play catch up to make it to day 22.

I think one issue is that I was taking a long time on these sketchbook pages, making them like layered paintings, when I really just wanted them to be colour studies. I predict the next few pages are going to be more simplistic.  I’m determined to get back on this as I really don’t like to give up on things.

IMG_9406.jpg
IMG_9400.jpg
IMG_9403.jpg
fullsizeoutput_176d.jpg
IMG_9409.jpg

Behind the scenes

You'll only see photographs of finished paintings on my website, so I thought I’d show you what’s been going on in my painting studio lately

IMG_7304.JPG

Those of you that know my story, will know that I went to Art college in the UK in the 90's but because of the self directed nature of the course, I've always felt that there were so many gaps in my knowledge about how to paint.

So, over the last couple of months I’ve been delving into things that I usually just rely on instinct for. I've been reading about composition, about focal points and colour theory. I’ve also been  looking at my favourite works of art and analysing why they work.

I came across an article about how value -  light and dark, can be as important as colour.

I found this really interesting, so decided to do a number of monochrome studies by mixing only with black and white. I wondered if I could produce an interesting composition without colour. This was a good challenge for me as I am such a colour lover that  I sometimes struggle for a long time, going round in circles  to get the balance between light and dark right in a painting. 

IMG_7159.jpeg
IMG_7112.jpg
IMG_7130.JPG
IMG_7572.jpeg

After starting the year in this way I'm now dying to get on with making some big, colourful paintings and made a good start last weekend. I'll share these with you soon. 

Balancing life and creative time.

Sometimes I don’t allow myself to paint because I feel like the rest of my life is too much of a mess
IMG_6932.JPG

If I could only get on top of things I’d be ok and have all this calm, peaceful time to create in.

When I don’t get to paint I feel sluggish, less patient with everyone and it affects all areas of my life. I think most people need some time for themselves, To do something that nourishes, recharges and wakes up part of the brain

Last year wasn’t good, and I felt like I was failing in every area. I was behind with paperwork for my teaching, behind with laundry and housework, putting off a grocery shop  and just topping up at the local , more expensive shop - every day and not being focussed on my daughter when we had time together. My lack of organisation meant that I’d be dashing out to buy bread in the morning, when i could have picked some up at the shop when I was there the night before. I wasted time on the wrong things and then rushed to do other things , doing them so them badly that I’d have to redo.

I needed to streamline the everyday things and clear my mind so I have the time to be creative, without feeling guilty.

So , in 2019 I’m trying a few new things.

Here are some tools that I’ve discovered over the summer that look like they’ll help .

(I’ve put links at the bottom of the post)

 

1 The bullet journal.

I tend to write on little scraps of paper, sometimes enter events or things to do in the calendar on my phone, stick things on my fridge or the worst one, just trust that I’ll remember things. This means I always have this feeling that I might have missed something.

I saw this video of a the bullet journal that pulls together all these things we need to remember and I felt like this was the solution for me. I’m doing a very simple version.  I bought a basic A6 notebook and now, every morning I can sit with my morning coffee and in a couple of minutes can check what I need to do that day so that it clears my mind. There’s also future planning and random lists in there so no need for random bits of paper.

2 TOMM ( The organised mum method.)

I can’t believe I’m writing about housework, It’s just not me. I’m one of those people that tries to ignore housework, I have better things to do . But really, knowing that one of these days we’re going to have to do a big clean, which is going to take hours on a weekend takes up space in my mind. My mum told me about this method, and I’ve never heard mum talk with enthusiasm about housework - (we both tend to do it in a resentful way.)

To me the the TOMM method seems to be for people who just want to get it out of the way, without having to think about it. What I’ve taken from it is that I now set a timer and do as much cleaning in that time and then just stop. This idea suits me as I hate to think of my precious time being spent on cleaning. So far it’s helping because I’m more likely to start when I know it’s only for a fixed time.

3 Toggl

Using a timer with my housework made me realise I can do this for other tasks.

Over the holidays my phone has started showing me my screen time hours - I was ashamed at how much time I spent on social media  - 18 hours in the last 7 days ? I really need to get on top of this. I heard some advice on a podcast that said it’s good to set limits and before you go on Instagram you work out what you’re going on to do - eg to answer comments on your post and set a limit of 15 mins - Then get off your phone.


It’s made me wonder how other I spend on other areas related to making and selling art and I want to know accurately how long I spend on actually creating, and how much on related admin like website updating, newsletter writing, packaging, researching exhibiting opportunities.

Then I got recommended an app Toggl by another artist - and it’s just what I was looking for ! It’s the same as using my phone’s timer but I can click on a category like “ blog writing” . As I write now, the timer is running and I’ll know how much time a blog post might take next time so will be able to plan better.

I’ve only been doing this for a week but I’m becoming more conscious of how I’m spending my time and am looking forward to seeing the results.

Blocking time.

Another thing I’m experimenting with is to block time for painting. If I know Tuesday evenings and Sunday mornings are my painting times then I won’t say yes to other tasks.  I also won’t find myself thinking I wish I was painting when I’m doing something else bacause I’ll know I’ll be painting that evening, and I can enjoy the moment I’m in.


So these are what I’m trying. I’m not going to beat myself up if I drop them all by March but it was definitely time for some kind of reset.


Framing art on paper

Though I love to paint on canvas and paper equally,  the artworks that I sell most are works on paper.

They’re more affordable, easy to ship around the world and I think, it’s also easier to make the decision to buy work on paper.

Photographs and art on paper are such a great way to start collecting art.  I remember after years of slowly renovating of our first apartment we were finally at the stage of buying something to put on our walls. We chose three works on paper from a gallery near work. I remember that exciting, heart pumping feeling of buying original art, not a print, but something someone had created by hand.

When we bought them the gallery offered to put us in touch with their framer and we were shocked at the time that the framing cost as much as the artwork. However, we decided to go through with it. When the framing came back we were really impressed. It was done so perfectly, it was so immaculate looking that it made the work look even better, more like an object that we’re going to hold on to long term. And here, seven years later, the art is in the same condition and I feel confident that it’ll stay that way hanging around our home in the years to come.

Since then I’ve found out more about framing and so would like to share what I’ve learnt with you and what the options for framing work on paper are.

At the bottom, one of the artworks on paper we bought seven years ago,

At the bottom, one of the artworks on paper we bought seven years ago,

I recently asked people on Instagram about framing and while most said that professional framing is the preferred choice , the cost sometimes means that we opt for an off the shelf frame. I recommend getting quotes from a couple of different framers if you haven’t used one before or are new to an area.  I got quotes when I moved to West Auckland and they were wildly different. And I was surprised that it wasn’t the little framer down a side street that I expected to be the cheapest that was the most reasonably priced.

Once you’re at the framers you need to make the decision about how you want your artwork framed . Here are some options.

Float mounting
This is when the artwork appears to be floating between the glass and the backing. The art is attached to  foam core and mounted on a white mat and spacers are used to separate it from the glass.

I think this style of framing is suited for original art on paper. It looks professional and elegant and really draws attention to the art.
It can be pricey but I think that it’s good to look at the long term view of it. You’re probably going to hold onto your artwork longer than you will most of your furniture, taking it with you as you move homes. Think of how many years of value it will give you in the future by making your home look and feel a certain way.

I love how you can see the rough edge of the paper because of the way it’s been float mounted.

I love how you can see the rough edge of the paper because of the way it’s been float mounted.

Another option is matting, where a window for the art  is cut in a matt board. I think this looks best with smaller paintings and drawings. I’ve put some of my smaller acrylics and watercolours in mats. It’s a good way to add space around a picture , especially if it’s near other artworks for example in a gallery wall. Some framers seem to offer a wide range of colours for matts. I prefer a plain off white.

Here I used a mat in a readymade frame.

Here I used a mat in a readymade frame.

Full bleed

This is when the image covers the whole of the area inside the frame. I think this is great for film posters, travel posters and art prints. If the art isn’t a regular size then professional framing could be needed for this too.


Oh, another thing I should mention is glass. When you go and talk to a framer they will ask you about what kind of glass you want.


Clear glass

This is the cheapest and offers basic protection from the environment and most of the time this might be fine.

Non reflective.

Think about where you want to hang your art.  If it’s a very sunny bright room, you might find it disappointing  if everytime you look at the art you bought , you see the reflection of yourself and your room. You might want to use non reflective glass.

Museum glass or UV filtering glass.  

This glass claims to stop 99% of UV rays from damaging the artwork. This can be a good choice for watercolour as it can fade over time with exposure to sunlight and the colours become less vibrant . Acrylic can fade too, but at a much slower rate so unless it was in a really bright area I wouldn’t choose this option.

One of my Mini paintings in a small frame with a mat.

One of my Mini paintings in a small frame with a mat.

So far I’ve talked about professional framing but there are times when we just don’t have the budget but we can’t wait to get the art onto our walls.

Readymade frames

The best readymades I’ve found are the ones that framers make and sell off in a range of  regular sizes. These are usually decent wood and the joints look well made. With the ready made frames I think they can look better with a matt. In Auckland I’ve picked up some good ones at the framers in Royal Oak shopping mall , at Homestead Picture framers and Factory Frames.

Another option is to buy a frame and then get a matt with a custom window cut. Ask a framer to do this, you can even do this online. I know Factory frames offer this service in NZ. I think a small piece with a wide matt around it can look stunning.  

An A5 acrylic painting in a small frame with no mat

An A5 acrylic painting in a small frame with no mat

And you can always pick up a cheap frame at the big stores that sell homewares. If you’re buying an off the shelf frame, sometimes they have cardboard protection over the corners. I try to peek underneath or even pull them off until I find one where all the joints line up properly.

I found some small frames at Kmart that were perfect for displaying my mini A5 paintings. At this size they do the job and work well with these little pieces. I think the problem with the cheaper frames is when you move up to larger sizes and they are less stable and I’ve had them come apart as I change artwork.

if you live in the US there’s an online Framer “ Framebridge” where you can send them your artwork, upload your measurements and they custom frame your art for the price of an off the shelf frame. We don’t have this in NZ so I haven’t used it but it seems to have good reviews and the frames look great.

If you are buying direct from an artist it’s worth asking for a recommendation for a framer. It might even be worth asking the artist to arrange the framing as artists often get a discount for using the same framers regularly. I’m always happy to recommend, and l can also ask my artist contacts in other cities and countries for their inside knowledge.

This is my first attempt at writing a blog post , so I’d love to hear from you on Instagram or email.